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Tom Cruise is taking Cole Trickle back to the track. On Saturday, the actor confirmed that a sequel to his 1990 racing hit Days of Thunder is officially on the way — and it’s bringing Anne Hathaway along for the ride.

Hathaway joins the follow-up at Paramount in a major on-screen and behind-the-scenes role: she’ll play a team owner and engineer opposite Cruise, who returns as NASCAR driver Cole Trickle. The studio has locked in a June 2, 2028 release date, timed for the heart of summer blockbuster season, and the picture is being shot for IMAX with additional premium formats on the docket — Dolby Cinema, 4DX and other large-screen presentations.
Cruise announced the news himself on social media, posting a shot of the two stars leaning against a NASCAR race car in Daytona, the sport’s spiritual home. Given the original film’s deep roots in stock-car racing, the location choice felt deliberate: this is a sequel that wants its credibility on the asphalt from day one.
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If you need a reminder of just how long it’s been since we last saw Cole Trickle, consider that the original Days of Thunder was directed by Tony Scott — the same late filmmaker behind Top Gun — and that the 1990 film helped introduce the world to Nicole Kidman. Now the franchise is getting a fresh creative team. Jonathan Levine, the filmmaker known for Warm Bodies and 50/50, is directing from a script by Will Staples. Cruise is producing once again alongside the original’s producer, Jerry Bruckheimer, and Tommy Harper — a reunion with Bruckheimer that keeps the production line reasonably close to its 1990 DNA.
The casting of Hathaway is notable for a few reasons. She’s coming off an enormous run that includes The Devil Wears Prada 2, Christopher Nolan’s The Odyssey and The End of Oak Street, with Verity due in October. Landing her as a team owner and engineer also gives the story a credible, plot-driving adult presence rather than a simple romantic interest — a smart modern rationale for pairing a top-tier actress with one of the last true movie stars.
The original Days of Thunder was a product of its era — a glossy, testosterone-heavy blockbuster that Cruise conceived himself, produced by Don Simpson and Bruckheimer and written by Robert Towne. It rode the wave of stock-car racing’s mainstream explosion and paired Cruise with Kidman, who became his wife of 11 years. That connection remains part of the film’s legacy, and it’s why so much of the internet was buzzing about Hathaway stepping into a role that fans had long mentally associated with Kidman’s Dr. Claire Lewicki.
The sequel has been simmering for years, with Paramount finally fast-tracking it once Levine signed on in July. But the racing-film lane has gotten crowded since 1990. If you’ve seen how the sport’s cinematic language has evolved — with the high-octane duel of Ford v Ferrari and the physics-first drama of Rush — you know audiences expect more than slow-motion sparks and a soaring rock soundtrack now. The good news is that modern car-choreography tools and IMAX capture give a Days of Thunder sequel a genuine shot at matching, if not exceeding, the spectacle its predecessor delivered in 1990.
For Cruise, Days of Thunder 2 is another box-office chess move in a career defined by them. It’s a nostalgia property with a built-in audience, a proven leading-man formula and the kind of practical, real-world filmmaking he’s built his brand around — a racer’s story shot on actual NASCAR tracks with real cars, likely leaning into the same practical stunts that made Mission: Impossible and Top Gun: Maverick event pictures. And on a studio level, Paramount is betting that a retro sequel with big stars and premium format releases can recreate the nostalgia-driven success of other legacy titles.
It’s also a fascinating case of old-Hollywood star power colliding with modern franchise economics. Hathaway hasn’t anchored many high-gloss studio sequels lately, mostly because she’s been choosing stranger, more independent fare. Pairing her with Cruise for a summer tentpole signals she’s willing to play big again — and that Paramount is willing to spend eight figures to make the pairing feel like must-see event cinema.
Cruise’s stock-car story was one of the first big-screen hits to treat NASCAR as a legitimate cinematic subject, and it helped push the sport into the mainstream during the early ’90s alongside the dawn of the modern superspeedway era. Its legacy has aged into a cult favorite, aided by the sheer commitment of its lead: Cruise reportedly spent months training with real stock-car teams and doing his own driving for the original.
There’s also a real business case for revisiting the property now. Racing content is enjoying a prestige moment — the slick, driver-centric spectacle of the modern F1 movie and the boardroom-versus-pit-crew tension of recent motorsport dramas have shown studios there’s an audience hungry for stories set at triple-digit speed. Combined with premium format releases designed to make IMAX and Dolby screens feel like a front-row seat, a Days of Thunder sequel is well positioned to capitalize on that appetite rather than just cash in on recognition.
One of the film’s most interesting subplots is how it reconnects Cruise with the legacy he helped build. He conceived the story for the original and placed himself inside a sport he genuinely loved, and now he’s returning to it at a point in his career where he’s become the biggest practical-action star in the world. The obvious through-line is Top Gun — another Tony Scott collaboration that got a belated, massively successful sequel — and Days of Thunder 2 looks designed to follow that same playbook: honor the original, raise the stakes, and deliver the kind of tactile spectacle streaming can’t replicate.
With a deeper focus on engineering and team politics, and a veteran actress who can hold her own against any leading man, there’s real room for Days of Thunder 2 to be more than a nostalgia play. If nothing else, it guarantees that Cole Trickle gets one more crack at glory — and that’s a story worth watching.
For fans of stunt-driven, gear-head spectacles, this pairs nicely with other recent racing features like the operationally precise drama of Ford v Ferrari and the mechanics-meet-menace thriller Rush. Whether you’re here for the nostalgia, the casting or the cars, mark June 2028 on the calendar — the thunder is coming back.
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