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After nearly three years in Hollywood distribution limbo, one of the most talked-about shelved movies in recent memory is finally getting a proper release. Coyote vs. Acme, the live-action/animated hybrid starring Wile E. Coyote in his long-awaited legal battle against the Acme Corporation, premieres in theaters on August 28 via Ketchup Entertainment. And the people who made it never stopped believing it would see the light of day.

The stars of the movie — Will Forte and Lana Condor — sat down with DiscussingFilm and opened up about the wild journey, including the now-legendary “funeral screening” the cast held after Warner Bros. Discovery shelved the film in 2023. Rather than giving up hope, that private screening convinced everyone involved that the movie was too good to stay hidden.
Here’s the story that made entertainment headlines for years. In 2023, Warner Bros. Discovery made the controversial call to shelve the finished Coyote vs. Acme movie, taking a reported $30 million tax write-off rather than releasing it. It was the same cost-cutting wave that buried Batgirl and Scoob! Holiday Haunt amid the company’s merger fallout. For fans of the classic Looney Tunes shorts, it felt like a gut punch: a lovingly crafted feature, completed and starring the beloved Wile E. Coyote, destined to never be seen.
The movie, directed by Dave Green, follows Wile E. Coyote in a courtroom comedy of cosmic proportions. After decades of failed attempts to catch the Road Runner using Acme Corporation’s famously unreliable products, the cartoon coyote decides to fight back the only way he can: by hiring a lawyer and suing the company. Will Forte plays Kevin Avery, the human attorney who takes the nation’s most frustrated predator as his client, in a story that mixes live-action chaos with classic two-dimensional cartoon mayhem.
Forte, best known for MacGruber and The Last Man on Earth, recalled the moment he finally saw the finished film and realized the studio’s decision made no sense. “We still got to go in a week after that to go see the movie. Personally, I thought, ‘Oh, it probably sucks. Why would they be doing that?’” he told DiscussingFilm. “And then, we go see this movie, and it’s magic. It’s freakin’ awesome.”
Condor, the star of To All the Boys I’ve Loved Before, described the “funeral screening” as the moment she clung to hope. “I was so devastated for the whole thing, but I held onto the funeral screening, where we watched it for the first time,” she said. “Because I saw that movie, and I was like, ‘I just refuse to believe that a movie like this will never be seen. I fucking refuse it.’ I had hope. Because it’s so good, I was like, ‘There will be a light.’”
Beyond Forte and Condor, the movie features a genuinely stacked ensemble including John Cena, Tone Bell, Martha Kelly, and Luis Guzmán, alongside a cavalcade of beloved Looney Tunes characters. The screenplay was written by Samy Burch from a story she crafted with James Gunn and Jeremy Slater — the same James Gunn who went on to co-lead DC Studios, keeping his fingerprints on this quirky underdog project. Producers include Chris DeFaria and Gunn, and the story itself springs from Ian Frazier’s acclaimed 1990 New Yorker article about the very concept of Wile E. Coyote taking Acme to court.
For fans of the Looney Tunes Cartoons revival and classics like Space Jam, this is a genuine full-circle moment. The Space Jam: A New Legacy follow-up proved audiences still adore seeing their favorite cartoon characters in big-budget theatrical adventures, and Coyote vs. Acme carries that same spirit into a courtroom comedy that nobody saw coming.
There’s a reason Coyote vs. Acme captured so much attention while it sat in limbo. It became a rallying point for a very specific frustration in modern Hollywood: the idea that completed, audience-ready movies can be written off as tax losses and erased from existence. When the news of the shelving broke, the outrage wasn’t just from Looney Tunes purists. It came from everyone who believes making a movie is worth something, and that audiences deserve a chance to decide for themselves whether it deserved a release.
The casting helped, too. Will Forte and Lana Condor carry the human half of the story with exactly the right absurdist timing, and John Cena’s presence brings the kind of committed comic energy that turns a simple premise into something genuinely memorable. When a studio assembles a cast like that, a finished film with that pedigree, and then decides never to show it, it feels like a creative loss, not just a business one.
That’s why the August 28 premiere matters beyond the movie itself. It’s a small victory for the idea that finished art should be seen. It also sets a hopeful precedent that the Space Jam-style theatrical revival of cartoon icons, which The Day the Earth Blew Up proved audiences still embrace, has a future at the multiplex.
And for longtime fans, the premise is pure catnip. The gag that has powered Wile E. Coyote for seventy-plus years — that his Acme gadgets inevitably backfire — becomes an entire legal premise. He’s not just an animated character anymore; he’s a plaintiff with a grievance, a cartoon with a lawyer, and a corrupt corporation finally on its heels. It’s the kind of high-concept joke that entertainment writers could only dream of, and now it finally gets its moment on the big screen.
After the shelving, Coyote vs. Acme eventually found a new home when Ketchup Entertainment picked it up last year in a deal widely reported to be worth around $50 million. That rescue mission turned one of the industry’s most frustrating stories into one of its most triumphant. The movie’s road to theaters has been a rollercoaster, but its August 28 release date is finally real.
Forte said “a little piece of me” held onto the same hope as his costar throughout. “This is so good. This just can’t be the end of the conversation with this,” he remembered thinking. For audiences who love The Day the Earth Blew Up: A Looney Tunes Movie and the timeless The Looney Tunes Show, Coyote vs. Acme is shaping up to be the rare release that rewards years of patience with pure, uncomplicated fun.
The movie’s eventual arrival also raises a bigger question for the industry: how many other finished gems are sitting in studio vaults, waiting for a studio brave enough to let them out? For now, though, fans can mark their calendars. The coyote finally gets his day in court — and on the big screen.
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